A new One-hour Play with songs

Enter the asylum room of forgotten 19th century ‘peasant poet’ and visionary John Clare - for an uplifting story of genius, despair, joy and hope for a better world.

Where nothing is quite as you might expect.

Where laughter, triumphs and mishaps are never far away.

You, the audience, are there with him. The walls of confinement melt away as Clare’s memories, imagination and haunting visions of a world to come are brought energetically to life in song, stories and beats.

Join him in his beloved fields, drinking holes and in the depths of his brilliant, unique, tortured mind as he labours to complete his great, as yet unfinished masterpiece.

A man from the past. Relevant today. With a warning for our future.

But are you ready to listen?

John Who?

John Clare (1793-1864) was the son of an agricultural labourer and began work on local farms at the age of seven, though he’d had a basic education up to that point. He began writing his own poetry at home in secret, and whilst out walking in the fields surrounding his Northamptonshire village, Helpston. He was hugely inspired by the natural world where he felt at peace, and the Enclosures Act, which fenced off previously common land, caused him deep unhappiness because he could no longer roam freely in the fields and hedgerows he loved so much and knew so well.

He played the violin and collected and wrote folk tunes and songs. He was a regular at his local, The Bluebell Inn, enjoyed regular nights out with ‘the boys’ and had a lively interest in the young women of the village!

In 1820 his first book, Poems Descriptive of Rural Life and Scenery, was published and created a a bit of a stir. Clare visited London, where he enjoyed a brief period of celebrity in fashionable circles. He made some lasting friends, among them Charles Lamb, and admirers raised money to help support him and his family. That same year he married Martha ('“Patty”) Turner, the daughter of a neighbouring farmer: the “Patty of the Vale” of his poems.

From then on he encountered increasing bad luck. His second volume of poems, The Village Minstrel (1821), attracted little attention. His third, The Shepherd’s Calendar; with Village Stories, and Other Poems (1827), though containing better poetry, met with the same fate. His annuity was not enough to support his family of seven children and his dependent father, so he supplemented his income as a field labourer and tenant farmer.

Poverty took its toll on his health. His last book, The Rural Muse (1835), though praised by critics, again sold poorly; the fashion for ‘peasant poets’ had passed.

Clare began to suffer from fears and delusions - at times he seemed to believe he was Lord Byron, Shakespeare and a prize fighter, and he often believed he was married to his first love, Mary Joyce, as well as Patty, his real wife.

In 1837, through the agency of his publisher, he was placed in a private asylum at High Beech, Epping, where he remained for four years. Improved in health and homesick, he escaped in July 1841. He walked the 80 miles back home, penniless, eating grass by the roadside as he had no food and sleeping pointing north so he knew in which direction to walk the next morning. He left a moving account, in prose, of that journey, addressed to his imaginary wife “Mary Clare.”

At the end of 1841 he was certified insane. His admittance notes record ‘addicted to poetical prosing’ as the cause of his confinement, but it is thought he may have suffered from bipolar disorder which was an unknown condition at the time.

He spent the final 23 years of his life in St. Andrew’s Asylum, Northampton, writing some of his best poetry there.

In 1860, four years before he died, he wrote in a letter:

“Dear Sir,

I am in a madhouse and quite forget your name or who you are. You must excuse me for I have nothing to communicate or tell of. And why I am shut up I don’t know. I have nothing to say so I conclude

Yours respectfully,

John Clare”

It appears that neither his wife or children probably ever visited him in his 27 years in the asylum.